Showing posts with label client: Laird Barron. Show all posts
Showing posts with label client: Laird Barron. Show all posts

Saturday, October 05, 2013

new story from Laird Barron!

Laird Barron is an amazing writer of horror (I'm told.)
VERY good horror in fact.
He's won awards for it.
Accolades.
Fans extoll his writing far and wide.

I've never read a word of it.
~~~SCARY!!!!~~~

I can read thrillers all day and night but I can't read horror. I'm not sure why. I kind of blame Stephen King for this (why not!) because I saw the movie based on his book Christine and promos for the movie based on his book Cujo and I actually lived in Oregon where they filmed The Shining...let's just say I slept with the lights on for.. oh wait I still do.

So when the modern day master of horror Laird Barron needed an agent, of course I tossed my hat in the ring. And bless his deeply twisted heart, Laird thought I might be up to the task.

My ace in the hole was the trusty Money Launderer here who loves his books with a passion.  As soon as Laird signed on the dotted line, I added a task to her job description: read Laird's books so I know what they're about.

Well, sadly she's not in the office today (I mean rilly...not at work on a Saturday?? what kind of fresh help is THIS!) so I had to scour the internet for help.

Here's the description of Laird's latest story.

"LD50 is a bone- dry thriller that reminded me of a hungover David Morrell. I also liked Jessica Mace, Barron’s heroine a lot- in fact, my mind cast Jamie Lee Curtis circa The Fog in the role while I was reading the story. I hope that we’ll see more of her in the future and that she doesn’t end up as lunch for some Elder God, like most of Laird’s protagonists."
--Dimitris Kontogiannis, www.crowsnbones.com


And here's the link to the LD50.  Read with the lights ON!

Friday, September 13, 2013



Relentlessly readable, highly atmospheric, sharply and often arrestingly written—Barron’s prose style resembles, by turns, a high-flown Jim Thompson mixed with a pulp Barry Hannah—and situated in a dizzying assortment of precision-built worlds, Barron’s productions (30 pages on average) more nearly resemble novellas than tales.