It’s easy to make the mistake of thinking that genre is a fixed concept—that thrillers always look and feel like thrillers, or romances always look and feel like romances. Most people are comfortable with the idea of mixing genres to a certain extent—the romantic subplot, the murder mystery with a deep bench of comedy—but we generally expect certain genres to adhere to certain tone frequencies and pacing requirements.
But genres can masquerade as each other, and Singin’ in the Rain is a prime example. Sure, it’s a musical, and a romantic comedy on top of that. It hits all those beats, but it’s all a smokescreen for the real structure of the story, which is 100 percent heist. Or, since technically nothing is stolen (aside from my blackened, underdeveloped heart⁶) maybe the word caper is a better fit. Either way, it adheres to the basic stages of a heist/caper story:
1. The identification of an impossible task
2. The assembly of a team
3. The development of a complex scheme using the individual talents of that team
4. Sudden twist adding complexity
5. Apparent failure
6. Apparent failure revealed as actual triumph
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