Saturday, October 15, 2011

Where to be on Friday 10/21 in NYC

Hutchins Consort to Perform at Historic Upper East Side Church
Ensemble Celebrates 100th Birthday of Famed Violin Maker
with a performance at Park Avenue Christian Church

The famed violinmaker Carleen Maley Hutchins (May 24, 1911-August 7, 2009) was called the “female Stradivari” by her mentor Harvard physicist Frederick A. Saunders.  Her contribution stems from her efforts to harvest technology to improve on the centuries old string instruments and her invention of a new “family” of musical instruments to give new expression to music both ancient and modern.


The new palette of sounds originates with the Hutchins Consort of San Diego, CA—the only ensemble named for an American luthier and the only ensemble in the world that performs on a Hutchins Violin Octet. The Hutchins Consort will embark on its Debut East Coast Tour in October, 2011, in honor of the 100th Anniversary of Hutchins’ birth and will be honoring Dr. Hutchins’ memory throughout their 2011-2012 season. The full schedule is here and the first NYC event is:




Friday, October 21  
8 p.m.
Park Avenue Christian Church, 
1010 Park Avenue (at 85th Street)
New York, NY 10028. 

$20 Adults, $15 Students/Seniors 
tickets at the door.



Former Boston Globe arts journalist and Carleen Hutchins biographer, D. Quincy Whitney, will tour with the Hutchins Consort. Whitney will give a short pre-concert talk about how she met Hutchins and came to write her biography.


Hutchins was a most unlikely pioneer—a biologist and trumpet player who taught herself acoustical physics by making violins. Hutchins and Saunders performed more than 100 acoustical experiments on violas and violins made by Hutchins. Hutchins eventually created a louder, more resonant violin via plate tuning and modal analysis. In addition, Hutchins created a forum for an international community devoted to violin acoustics through the Catgut Acoustical Society and its scientific journal that she published for more than thirty years. 


Despite the fact that she was a lone female in two male-dominated fields of acoustical physics and violinmaking, Hutchins was the only woman to be awarded the Honorary Fellowship of the Acoustical Society of America – whose very short list of recipients includes Thomas Edison. Hutchins was also the recipient of four honorary doctorates, a Guggenheim Fellowship and was considered the foremost authority on violin acoustics. From 2002 to 2003, Mrs. Hutchins’s octet was the subject of an exhibition at the Metropolitan Museum of Art in New York. Titled “The New Violin Family: Augmenting the String Section.”


But the most exciting Hutchins legacy is the Violin Octet and the Hutchins Consort—a chamber music ensemble like no other—with a dynamic range and palette of sounds never heard before from a string ensemble. The Hutchins Consort performs a wide repertoire ranging from Medieval, Baroque and Renaissance to jazz, blues and modern, including new works written specifically for these instruments. The Consort is used to performing for audiences of all ages and tastes, and also shines in their concerts for young audiences, as they are very familiar with performing in educational settings.

ABOUT THE HUTCHINS CONSORT
The Hutchins Consort, founded by Artistic Director Joe McNalley, plays on the eight scaled violins designed and built by famed luthier Dr. Carleen Hutchins. The instruments are the first successful attempt to create an acoustically balanced set of instruments that can truly sound like violins across the entire range of written music. A Violin Octet is a true consort of violins composed of eight violins across the range of a piano—treble, soprano, mezzo, alto, tenor, baritone, bass, and contrabass violins—a tuned set of violins from an 11” treble to a seven-foot contrabass. The Hutchins Consort, based in Southern California, is the only professional ensemble in the world performing on this octet of the New Violin Family instruments.

The Consort brings together a group of extraordinary musicians to play music from the Middle Ages and Renaissance to the music of the modern masters and new works written specifically for these instruments. They display a breadth and depth that few traditional groups match, and a sound that is truly unique.

Friday, October 14, 2011

Get a book, make a donation

Concord Free Press does something that used to be very unusual.
They give away their books. Free.
Before the "free download" marketing strategy, giving away books was pretty rare.
Concord Free Press has been doing it for a while longer.

Here's "the catch" (and I put that in quotes for a reason; it's not one)

You make a donation. To a charity of YOUR choice.
Then tell Concord Free Press about it.**
AFTER you get the book.
They trust you to do the right thing.

I like that a lot.
(I like that alot too)

Here's the bigger "catch": this is the ONLY way to get these books, and there are only 3000 copies printed.
And they're really good books.

Here's the one that will be available starting tomorrow, 9/15 errrr...10/15 (thanks to an eagle eyed commenter for that!)



A HANDBOOK OF AMERICAN PRAYER (a novel) by Lucius Shepard.


More info available at the Concord Free Press website.



**(the list of donations is pretty interesting reading in and of itself)

Thursday, October 13, 2011

What prompted this email?

Knowing a picture is worth a thousand words, I sometimes only send images in my email.

To editors who have completely lost all their senses rejected a project:





To people I am reminding (again!) about something past due:




My auto-responder when I'm "working from home"




Today, it was this particular image.  Can you guess what I heard about that prompted this reply?








Answer: it was finding out I was too late to get tickets for THIS.

Wednesday, October 12, 2011

new ways of seeing

"Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads
The wind is passing by"

Christina Rosetti
(anthologized in A Child's Garden of Verses
the very first book of poems I know by heart to this day)
well, no it was from another book, 
so I don't remember as much as I thought I did!
corrected from info in a comment!




What made me think of this was a post here showing drawings of algorithms of the wind. It looks like some vast sea-creature to me. What does it look like to you?


Cowabunga indeed

Kari Dell writes about life in Montana.
She never fails to crack me up.

I only hope everyone out there on the ranch is laughing as hard as I am

Monday, October 10, 2011

Today's query pitfall

Describing a character only in terms of race and sexuality: sexy Latina; hot black; frigid bitch (this one was a Labrador retriever I'm guessing)


If you think that's an enticing way to describe a character, any character, you're querying the wrong agent. You might consider the editor for Penthouse Letters.

It's easy to get caught up in cliches.  Tell me something interesting about the characters in your novel: like what choices they face, and what dreadful plot points await them.

But if you set a blonde adrift in a canoe with a boa constrictor, well, then you know how to turn a cliche upside down and hell yes, I'd read that.