Yes, this is filled with whisky

Yes, this is filled with whisky

Thursday, August 16, 2012

Building Platform

Given that my book is not super commercial, would it behoove me in a query letter to include info such as:

Over 11,000 people subscribe to the WartHogs** mailing list (the book is set at WartHogs).  The (church I belong to also in the book) boasts 4 million members.  I teach at (name of college)  and have wide connections to the (church) world, etc, etc. [That is, should I try to suggest the potential audience a la a typical nonfiction book?]

You can certainly suggest the size of the audience, but the only thing publishers are really interested in is if you have something in place NOW to reach them, and in fact you've been reaching them before this book gets published.

Thus: "this book will appeal to all women" is hilarious because the unspoken reply is "do you have email addresses and personal connection to all women?"

One of the most heartbreaking things I have to do disabuse writers of how many people they "know" will actually shell out money to buy their book.

It's one of the most shocking moments of a writer's career when they realize that not all 10,000 members of a mailing list will be interested or hooked enough to buy a book that speaks directly to the interests of that list.

(this is one of the places where "they're not buying this because my books sux" can REALLY creep in)


Being on a mailing list is not the same as having access to the mailing list; having access to the mailing list is good but it's only the start.  Studies show (and your own buying habits if you track them will verify) that people buy books based on word of mouth. In other words, those people on the mailing list have to be talking about this book for it to be an effective part of your platform.

So, you might ask, why will people be talking about your book? They'll talk about it if they know you.  "Oh look Prunella Smithee has a book coming out. And it's all about WartHogs School of Deportment for Young Ladies!"

What does that mean for you? It means the 10,000 person mailing list is more effective if you are a regular contributor. It's MOST effective if it's YOUR mailing list: ie people who have signed up to hear from you.

Building a mailing list takes enormous time and effort. Maintaining it takes even more time.  There are some nifty electronic tools out there to help you.  My guess is some contributors to the comment column of this blogpost will offer up some ideas for you.

Blog readership is also a good piece of your platform. One of the things I always look at when I'm checking out blogs is how many people comment. More = better (unless they're all idiot trolls.)

Another tool is GET KNOWN BEFORE THE BOOK DEAL by Christina Katz. I don't rep this author and didn't sell this book so I've got no vested interest in whether you buy it, but you should.

You don't need platform for novels but it doesn't hurt if people know you before hand.

You DO need platform for non-fiction, and that includes memoir.

The number of people on a mailing list, or who belong to a church,  does not translate to how many people will buy your book. I wish it did.



**obviously not the name of the actual place, but you knew that right?

7 comments:

Lauren said...

Great post!

There's a reason big business has embraced social media. It is the engine that propels word of mouth. Facebook (like, share and send buttons), Twitter, Google +1, Pinterest, Tumblr, StumbleUpon are some of the social media sites that drive the conversation.

With that said, you don't want the conversation to be about "how much your book sux."

Melanie Schulz said...

Your right, word of mouth is the reason I read the books I do.

Chrissy said...

I find all these posts about platform and nonfiction quite helpful. I'm in the early stages of my writing career (if you could call it that) and I had no idea I needed to do ANY of this. It's kind of terrifying.

But my one lingering question about platform is this: I'm a blogger who writes about body and size acceptance. My nonfiction work, however, has nothing to do with body and size acceptance. Is it considered platform if I have a highly successful blog in one topic for a very specific audience, but that is unrelated to the topics I'd discuss in my book?

I'm assuming the answer is that my audience won't transfer. Just because they love me in one facet of writing doesn't mean they'll love my more general work, right?

AT Banning said...

Seeing as I'm in the same boat with Chrissy in being a new author wishing to get his career started, I am working on a platform for my books before I decide to get serious about sending query letters. I shall definitely look into the other four social media sites Lauren mentioned.

And one more thing :)

GO Shark Wisdom GO!

Gary Corby said...

I once saw something attributed to Diane Mott Davidson, which went:

"Your family will buy your book but won't read it. Your friends will read your book but won't buy it."

Renee DeAngelo said...

This is absolutely correct, as shown in recent successful books. Word of mouth is so powerful.

Christina Katz said...

Thank you, Janet. I'm honored to be mentioned here. I would only add that the best thing that any writer can do is to go after a thorough understanding of what platform means for them and their type of audience, as Janet has so wisely counseled. Perhaps the easiest and most straightforward way to approach this is to get your hands on books about platform and a pen and legal pad. Then make yourself a to do list of action steps to take that suit your particular platform. I think platform understanding comes from action. So, as with writing, make sure you don't default into all research and no writing. Learn and apply, learn and apply, this is a how a platform grows.